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Monika Bauert

Weitere Namen
Monika Tschierschke-Bauert (Weiterer Name)
Date of Birth
12/31/1943 - 12:00
Geburtsort
Posen (Poznań), Polen
Biography

The stage, costume and set designer grew up in Wuppertal, Germany, where she completed part of her apprenticeship at the local School of Arts and Crafts. Subsequently, she worked as a stage and costume designer for more than 80 theater productions in Ulm, Dortmund and Oberhausen. In the 70s, she was celebrated in South America for her work on the production of "Rise and Fall of the City of Mahagonny", a play by Brecht and Weill. In the mid-70s, she switched to the movie business and worked as a costume designer at the set of Wolfgang Petersen's "Das Boot" ("The Boat", 1979-1981). Bauert also gained international experiences in movie productions such as Ronald Neame"s "The Odessa File" (1974), John Hough"s "Brass Target" (1978), and Wolfgang Petersen's "Enemy Mine" (1983).

Following several jobs as a set designer for TV productions (e.g. "Tatort" and "Klefisch"), Monika Bauert increasingly turned her attention towards productions for the big screen. Her credits include "Manta Manta" (directed by Wolfgang Büld) and Joseph Vilsmaier's "Charlie und Louise" (1993). Furthemore, she worked as a set designer for the box office hits "Der bewegte Mann" ("Maybe… Maybe Not", 1994) and "Das Superweib" ("The Superwife", 1996), both directed by Sönke Wortmann. She was also responsible for the set design of productions such as Dani Levy's "Stille Nacht" (1995), Thomas Jahn's "Knockin' on Heaven's Door" (1997), and Jobst Christian Oetzmann's "Die Einsamkeit der Krokodile" ("The Loneliness of the Crocodiles", 2002).

She also proved her keen sense for detail in production design with her following films that covered fairly different subject areas: Her work included production design of films such as the crime film drama "Boran" (2001), the teenage comedy "Die Klasse von '99" (2003), the children's films "Mein Bruder ist ein Hund" ("My Brother is a Dog", 2004) and "Rennschwein Rudi Rüssel 2" ("Rudy – The Return of the Racing Pig", 2007), as well as "Liebe Mauer" ("Beloved Berlin Wall", 2009), a nostalgic romantic comedic about the fall of the Berlin Wall.

Monika Bauert teached Production Design at the IFS International Film School Cologne and involves herself with the support of young talents. She was a board member of the German Film Academy for several years.

Filmography
2014
Beobachtungen eines Blinden
  • Set design
2009
Liebe Mauer
  • Production design
2008/2009
LowLights - Eine Nacht, ein Ritual
  • Set design
2006/2007
Rennschwein Rudi Rüssel 2
  • Set design
2003/2004
Mein Bruder ist ein Hund
  • Set design
2002/2003
Die Klasse von '99 - Schule war gestern - Leben ist jetzt
  • Set design
2000-2002
Boran
  • Set design
1999/2000
Die Einsamkeit der Krokodile
  • Set design
1999
'ne günstige Gelegenheit
  • Set design
1998
Kai Rabe gegen die Vatikankiller
  • Set design
1997/1998
Jimmy the Kid
  • Set design
1996/1997
Knockin' On Heaven's Door
  • Set design
1995/1996
Das Superweib
  • Set design
1995/1996
Stille Nacht
  • Set design
1993/1994
Charlie & Louise - Das doppelte Lottchen
  • Set design
1994
Der bewegte Mann
  • Set design
1991
Manta Manta
  • Set design
1984/1985
Enemy Mine
  • Costume design
1984
Rechnung ohne Wirt
  • Set design
1982
Egmont
  • Costume design
1981/1982
Das Mädchen auf der Treppe
  • Production design
1981
Der unsichtbare Gegner
  • Costume design
1980/1981
Das Boot
  • Costume design
1977
Die Teufelsbraut
  • Costume design
1975
Treffpunkt Friedhof
  • Costume design
1975
Die Abrechnung
  • Costume design
1974/1975
Die Akte Odessa
  • Costume design
Source-URL: https://www.filmportal.de/en/person/monika-bauert_f3022026c4b245bde03053d50b373f41