Group photo in front of the Clara Mosch Produzentengalerie, shortly before the opening in 1977 (without Carlfriedrich Claus). ("Go Clara Go: die Kunst des kreativen Widerstands", 2025)
The art figure Clara on the cliffs of Ahrenshoop, where the Mosch artists organised several plein airs, in "Go Clara Go: die Kunst des kreativen Widerstands" (2025)
Gunar and Nora Barthel (second and third from left) in their Berlin gallery for non-conformist art - with the first Clara-Mosch poster in "Go Clara Go: die Kunst des kreativen Widerstands" (2025)
Thomas Ranft with a remnant of a joint painting campaign by the Mosch to mark the closure of their gallery (1982) in "Go Clara Go: die Kunst des kreativen Widerstands" (2025)
Dagmar Ranft-Schinke, the only woman in the Clara Mosch artists' group, in her element, nature, in "Go Clara Go: die Kunst des kreativen Widerstands" (2025)
Gunar Barthel in his Berlin flat-gallery (in his back a language sheet by the 5th Mosch Carlfriedrich Claus) in "Go Clara Go: die Kunst des kreativen Widerstands" (2025)
The Moschs regularly met with other non-conformist artists for plein-airs - artists' retreats in the countryside. ("Go Clara Go: die Kunst des kreativen Widerstands", 2025)
The '1. Gesamtdeutsche Bundeskunsthalle' ('1st All-German Federal Art Gallery') by Michael Morgner in "Go Clara Go: die Kunst des kreativen Widerstands" (2025)
Dagmar Ranft-Schinke's pop-up open-air gallery in Adelsberg, not far from the former Mosch Gallery in "Go Clara Go: die Kunst des kreativen Widerstands" (2025)