| Director: | Billy Wilder |
| 2nd Unit director: | André Smagghe |
| Assistant director: | Tom Pevsner |
| Script supervisor: | May Wale |
| Screenplay: | Billy Wilder, I.A.L. Diamond |
| based on: | Ferenc Molnár (Bühnenstück "Egy, kettö, három") |
| Director of photography: | Daniel L. Fapp |
| Camera operator: | Ernst Wild |
| Assistant camera: | Hugh Crawford |
| Production design: | Alexandre Trauner |
| Production design: | Robert Stratil, Curt Stallmach |
| Set design: | Heinrich Weidemann, Arno Richter, Wilhelm Vierhaus |
| Make-up artist: | Josef Coesfeld, Klara Krafft, Alfred Rasche |
| Editing: | Daniel Mandell |
| Sound: | Basil Fenton-Smith |
| Special effects: | Milt Rice |
| Music: | André Previn |
| Conductor: | André Previn |
| | |
| Cast: | |
| James Cagney | C. R. MacNamara |
| Horst Buchholz | Otto Ludwig Piffl |
| Pamela Tiffin | Scarlett Hazeltine |
| Arlene Francis | Phyllis MacNamara |
| Liselotte Pulver | Ingeborg |
| Howard St. John | Wendell P. Hazeltine |
| Hanns Lothar | Schlemmer |
| Leon Askin | Peripetchikoff |
| Ralf Wolter | Borodenko |
| Peter Capell | Mishkin |
| Karl Lieffen | Fritz |
| Hubert von Meyerinck | Graf von Droste-Schattenburg |
| Til Kiwe | Journalist |
| Henning Schlüter | Dr. Bauer |
| Carl Ludwig Lindt | Zeidlitz |
| Friedrich Hollaender | Dirigent und Sänger im Hotel Potemkin |
| Rose Renée Roth | Bertha |
| Red Buttons | M.P. Sergeant |
| Otto Friebel | Vernehmungsbeamter |
| Helmut Schmid | Volkspolizist |
| Werner Buttler | Volkspolizist |
| Klaus Becker | Volkspolizist |
| Siegfried Dornbusch | Volkspolizist |
| Paul Bös | Krause |
| Max Buchsbaum | Schneider |
| Jaspar von Oertzen | Herrenausstatter |
| Werner Hessenland | Schuhverkäufer |
| Abi von Hasse | Juwelier |
| | |
| Dubbing: | Sig Rumann (Graf von Droste-Schattenburg in der Originalfassung) |
| Production company: | Pyramid Productions (Hollywood) |
| Commissioned by: | The Mirisch Corporation (Hollywood) |
| Producer: | Billy Wilder |
| Co-Producer: | I.A.L. Diamond, Doane Harrison |
| Executive producer: | Walter Mirisch |
| Unit production manager: | William Calihan, Werner Fischer |
| Production supervisor: | Conrad von Molo |
| Location manager: | Kurt Paetz, Hans-Joachim Sommer |
| Shoot: | 06.1961-09.1961: Berlin; Bavaria-Atelier München-Geiselgasteig |
| Original distributor: | United Artists Corporation GmbH (Frankfurt am Main) |
| Length: | 115 min |
| Format: | 35mm, Panavision |
| Picture/Sound: | s/w, Ton |
| Screening: | Uraufführung: 15.12.1961, Los Angeles |
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