One Day in Europe
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All Pictures (4)Synopsis
One day in Europe
Four cities, four cases of theft, four instalments of a Champions′ League game and football fever everywhere…
The interwoven episodes of this film kick off in Moscow, where Galatasaray Istanbul and Deportivo La Coruña meet for the Champions′ League final.
Kate, a young English art dealer, is mugged after a taxi ride but finds help in the shape of a vibrant pensioner named Elena. The two women make their way to the police station but, once there, they have difficulty reporting the theft because the officers have their hands full trying to keep visiting football hooligans under control. Their task is not made any easier by the fact that nobody speaks English. At this point, Deportivo is leading one-nil.
Meanwhile, in a notorious part of Istanbul, a German student named Rokko is trying to pretend he’s been mugged in order to obtain a police report and so claim the insurance money. But he didn’t reckon on the likes of a committed taxi driver named Celal – or on his complete ignorance of the way the Turkish police force operates. Back in Moscow, the Turkish team scores an equalising goal and all Istanbul goes wild.
At the same time, at the famous Spanish place of pilgrimage Santiago de Compostela, Hungarian history teacher Gabor is relieved of his digital camera. Village policeman Barreira would be only too happy to help this Catholic pilgrim – after his siesta. One misunderstanding follows hot on the heels of the first. The population here are anything but jubilant when the Turkish team score the equaliser in Moscow.
Meanwhile, in Berlin, a couple of street performers decide to pretend they’ve been mugged in order to improve their flagging finances. Their search for a suitable place to perform takes them to a part of Kreuzberg with a high percentage of Anatolian residents. Here, football fever is understandably riding high. And the game is about to be decided by penalty kicks…
Source: 55. Internationale Filmfestspiele Berlin (Catalogue)
Credits
| Director: | Hannes Stöhr |
| Screenplay: | Hannes Stöhr |
| Director of photography: | Florian Hoffmeister |
| Editing: | Anne Fabini |
| Music: | Florian Appl |
| Cast: | |
| Megan Gay | Kate - 1. Episode |
| Luidmila Tsvetkova | Elena - 1. Episode |
| Andrej Sokolov | Andrej - 1. Episode |
| Oleg Assadulin | Junger Polizist - 1. Episode |
| Vita Saval | Polizistin - 1. Episode |
| Nikolai Svechnikov | Vorgesetzter - 1. Episode |
| Florian Lukas | Rokko - 2. Episode |
| Erdal Yildiz | Celal - 2. Episode |
| Nuray Sahin | Junge Polizistin - 2. Episode |
| Ahmet Mümtaz Taylan | Ranghoher Polizist - 2. Episode |
| Production company: | Moneypenny Filmproduktion GmbH (Berlin) |
| Producer: | Anne Leppin, Sigrid Hoerner |
All Credits
| Director: | Hannes Stöhr |
| Assistant director: | Peter Wedel |
| Screenplay: | Hannes Stöhr |
| Director of photography: | Florian Hoffmeister |
| Assistant camera: | Jörg Gruber |
| 2nd Camera unit: | Oliver Lechner (4. Episode) |
| Still photography: | Nadja Klier (4. Episode) |
| Lighting design: | Gilmar Steinig |
| Key grip: | Andreas Frey (2./4. Episode) |
| Dolly grip: | Wolfgang Franke (Kamera-Kran - 4. Episode) |
| Set design: | Andreas Olshausen |
| Prop master: | Peter Naguib |
| Costume design: | Daniela Selig |
| Editing: | Anne Fabini |
| Assistant editor: | Nina Caspers |
| Sound design: | Frank Kruse, Hanse Warns |
| Sound assistant: | Patrick Veigel |
| Foley artist: | Carsten Richter |
| Audio mixing: | Robert Jäger, Frank Kruse |
| Stunt co-ordinator: | Michael Mohr (4. Episode) |
| Casting: | Karen Wendland |
| Music: | Florian Appl |
| Conductor: | Bernd Wefelmeyer |
| Music performer: | Deutsches Filmorchester Babelsberg |
| Soloist: | Florian Appl (Piano) |
| Music (other): | Michael Schubert (Musik-Aufnahmen - 4. Episode) |
| Cast: | |
| Megan Gay | Kate - 1. Episode |
| Luidmila Tsvetkova | Elena - 1. Episode |
| Andrej Sokolov | Andrej - 1. Episode |
| Oleg Assadulin | Junger Polizist - 1. Episode |
| Vita Saval | Polizistin - 1. Episode |
| Nikolai Svechnikov | Vorgesetzter - 1. Episode |
| Florian Lukas | Rokko - 2. Episode |
| Erdal Yildiz | Celal - 2. Episode |
| Nuray Sahin | Junge Polizistin - 2. Episode |
| Ahmet Mümtaz Taylan | Ranghoher Polizist - 2. Episode |
| Production company: | Moneypenny Filmproduktion GmbH (Berlin) |
| in co-production with: | Filmanova (La Coruña), Zweites Deutsches Fernsehen (ZDF)/Arte (Mainz), Televisión de Galicia S.A. |
| Producer: | Anne Leppin, Sigrid Hoerner |
| Co-Producer: | Antón Reixa, Eoin Moore |
| Producer (TV): | Lucas Schmidt, Andreas Schreitmüller |
| Line producer: | Simone Baumann (1. Episode) |
| Unit production manager: | Simone Arndt, Maren Wölk |
| Location manager: | Thomas Schmidt (1. Episode), Gernot Sprenger (4. Episode) |
| Shoot: | : Moskau, Istanbul, Santiago de Compostela, Berlin |
| Length: | 100 min |
| Format: | 35mm, 1:2,35 |
| Picture/Sound: | Farbe, Ton |
| Screening: | Uraufführung: 12.02.2005, Berlin, IFF - Wettbewerb; Kinostart (DE): 07.04.2005; TV-Erstsendung: 01.05.2006, Arte |
Titles
| Originaltitel (DE) One Day in Europe |
| Abschnittstitel (ES) 3. Episode: Santiago de Compostela |
| Abschnittstitel 1. Episode: Moskau |
| Abschnittstitel 2. Episode: Istanbul |
| Abschnittstitel 4. Episode: Berlin |
Versions
Original | |
| Length: | 100 min |
| Format: | 35mm, 1:2,35 |
| Picture/Sound: | Farbe, Ton |
| Screening: | Uraufführung: 12.02.2005, Berlin, IFF - Wettbewerb; Kinostart (DE): 07.04.2005; TV-Erstsendung: 01.05.2006, Arte |




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