| Director: | Maria Knilli |
| Assistant director: | Vladimir Torbica |
| Script supervisor: | Desirée von Trotha (Continuity) |
| Screenplay: | Ulrich Weiß, Maria Knilli |
| Director of photography: | Klaus Eichhammer |
| Camera operator: | Reiner Lauter |
| Assistant camera: | Wolfgang Aichholzer |
| Steadycam operator: | Reiner Lauter |
| Still photography: | Claudette Barius |
| Lighting design: | Robert Scheuer, Oskar Toth (Aggregat) |
| Camera (other): | Reiner Lauter (Steadycam-Kamera) |
| Set design: | Winfried Hennig |
| Property master: | Bernhard Henrich |
| Stand-by props: | Lena Knilli |
| Construction manager: | Michael Börner |
| Title: | Gustav Witter, Lena Knilli (Piktogramm-Grafik) |
| Costume design: | Grace Yoon, Ingrid Leibezeder (Assistenz) |
| Make-up artist: | Johanna Rochlus |
| Editing: | Fritz Baumann, Maria Knilli |
| Assistant editor: | Doris Kuhn, Susanne Eichhammer |
| Sound: | Fritz Baumann |
| Sound assistant: | David Heinemann |
| Foley artist: | Thorolf Dormer |
| Audio mixing: | Hartmut Eichgrün |
| Music: | Marran Gosov, Vladimir Vissotsky ("Variations sur un thème tzigane"), Serge Gainsbourg ("Je t’aime ... moi non plus"), Jane Birkin ("Je t’aime ... moi non plus") |
| Music performer: | Hans Jakob (Geige), Mic Oechsner (Geige) |
| | |
| Cast: | |
| Pavel Landovský | Prof. Pavel Navrátil |
| Marina Vlady | Ljuba |
| Katharina Thalbach | Judith |
| Rudolf Wessely | Frisör |
| Ulrich Reinthaller | Milos |
| Hans Jakob | Geiger |
| Mark Zak | Soldat |
| Sylva Langová-Williams | 1. alte Frau |
| Hanna-Maria Pravda | 2. alte Frau |
| Renate Olarová | 3. alte Frau |
| Grzegorz Matysik | Student |
| Vladimir Torbica | Student |
| Mike Fromm | Student |
| Drago Ragutin | Student |
| Peter Gulan | Student |
| Eva Malek-Karlowský | Studentin |
| Oana Solomonescu | Studentin |
| Ivo Vrzal-Wiegand | Josef Pospisil |
| Martha Lachová | Frau Navratilová |
| Herta Böhm-Wildner | Mutter |
| Małgorzata Gebel | Dame |
| Amira Ghazalla | Dame |
| Grace Yoon | Dame |
| Adisat Semenitsch | Dame |
| Christine Gloggengießer | Dame |
| Jan Biczycki | Emigrant |
| Jürgen Heinrich | Emigrant |
| Marran Gosov | Emigrant |
| Victor Salan | Emigrant |
| Victor Salan | Emigrant |
| Martin Abram | Emigrant |
| Peter Paulhofer | Emigrant |
| Gabriele Garsoffsky | Emigrantin |
| Elisabeth Jar | Emigrantin |
| Isabell Łaskowska | Emigrantin |
| Susanne Atschul | Emigrantin |
| Martin Umbach | Kafka |
| Claus-Dieter Reents | Herr |
| Dominique Horwitz | Gepäckträger West |
| Harald Gleche | Gepäckträger West |
| Lali Kovars | Gepäckträger Ost |
| Guido Föhrweißer | Gepäckträger Ost |
| Karl Friedrich | Uniformierter |
| Tamara Kafka | Dame in Zivil |
| Jirka Zácek | Herr in Zivil |
| Ludwig Kavin | Hagerer Mann |
| Stefan Kulhanek | A |
| Jakub Kavin | Milos als Kind |
| Denis Raunig | Sohn Navrátil |
| | |
| Production company: | Bayerischer Rundfunk (BR) (München), Alpha-Film Monika Aubele (München), Allianz Film Produktion GmbH (Berlin) |
| Producer: | Monika Aubele, Norbert Schneider |
| Co-Producer: | Josef Rödl |
| Producer (TV): | Christina Undritz |
| Line producer: | Peter Rothkopf |
| Unit production manager: | Reinhild Gräber |
| Location manager: | Conny Berger, Frank Horscht |
| Production manager: | Karin van der Sandt |
| Shoot: | 25.04.1988-31.05.1988: Prag, Wien, Berlin/West |
| Original distributor: | Europolis Filmverleih & - Vertriebs GmbH (München) |
| Funding: | Filmförderungsanstalt (FFA) (Berlin) (300.000,-- DM), Bundesministerium des Innern (BMI), Bonn (300.000,-- DM), Berliner Filmförderung, Bayerischer Rundfunk (BR) (München), La Sept (Paris), Bayerische Filmförderung (München) |
| Length: | 2845 m, 104 min |
| Format: | 35mm, 1:1,85 |
| Picture/Sound: | Agfacolor, Ton |
| Rating: | FSK-Prüfung (DE): 25.01.1989 |
| Screening: | Uraufführung (DE): 28.10.1989, Hof, Internationale Filmtage;
TV-Erstsendung (DE): 16.03.1993, Bayern 3 |
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