Pfau - Bin ich echt?
Peacock
Matthias, owner of the "My Companion" agency, is a master of his trade. Are you looking for a "cultured partner" to impress your circle of friends? Or a "perfect son" to influence the opinion of business partners? Whatever your situation in life: Rent a friend - Matthias! He is brilliant at portraying someone else every day. Just being himself is really difficult for him. When his girlfriend Sophia leaves him because of his insensitivity, he embarks on a journey of self-discovery.
Source: Filmfestival Max Ophüls 2025
Credits
Director
Screenplay
Director of photography
Editing
Music
Cast
- Matthias
- Sophia
- David
- Vera
- Ina
- Johann
- Nora
- Kunde der 60er Feier
- Installateurin
- Bewerber
Production company
Alle Credits
Director
Screenplay
Script editor
Director of photography
Colour grading
Visual effects
Production design
Make-up artist
Costume design
Editing
Sound editor
Sound design
Sound
Audio mixing
Casting
Music
Cast
- Matthias
- Sophia
- David
- Vera
- Ina
- Johann
- Nora
- Kunde der 60er Feier
- Installateurin
- Bewerber
- Retreat Leiter
- Ehefrau des Kunden
- Sekretärin
Production company
in co-production with
Producer
Co-Producer
Line producer
Unit production manager
Original distributor
Funding
Shoot
- 03.07.2023 - 10.08.2023
FSK-Prüfung (DE): 28.10.2024, 262765, ab 12 Jahre / feiertagsfrei
Uraufführung (IT): 31.08.2024, Venedig, IFF - Settimana internazionale della critica;
Erstaufführung (DE): 23.01.2025, Saarbrücken, Max Ophüls Preis;
Kinostart (DE): 20.02.2025
Titles
- Originaltitel (DE) Pfau - Bin ich echt?
- Verleihtitel (eng) Peacock
Versions
Original
FSK-Prüfung (DE): 28.10.2024, 262765, ab 12 Jahre / feiertagsfrei
Uraufführung (IT): 31.08.2024, Venedig, IFF - Settimana internazionale della critica;
Erstaufführung (DE): 23.01.2025, Saarbrücken, Max Ophüls Preis;
Kinostart (DE): 20.02.2025
Awards
- Prädikat: besonders wertvoll
- Preis der FAI-Stiftung "Persona Ambiente Lavoro", Settimana Internazionale della Critica
- Premio Bisato d’oro, Settimana Internazionale della Critica, Beste Regie