| Director: | Jim Jarmusch |
| Assistant director: | Connie Maverick, Judy Gorjanc, Todd Pfeiffer |
| Script supervisor: | Tricia Ronten |
| Screenplay: | Jim Jarmusch |
| Director of photography: | Robby Müller |
| Assistant camera: | Kate Butler (2. Stab), Pim Tjujerman |
| Clapper loader: | Lisa Fergueson |
| 2nd Camera unit: | Cris Lombardi |
| Steadycam operator: | Jeff Mart, David Luckenbach, Kirk Gardner, Robert Gorelick, Brian Bernstein (Assistenz), Julian Whatley (Assistenz), Joe Thibo (Assistenz), Emil Hampton (Assistenz) |
| Optical effects: | Daniel Leung (Digital-Compositing), Joe Gareri (Digitalisierte visuelle Effekte), Ken Smith (Digitalisierte visuelle Effekte), John Farhat (Digitalisierte visuelle Effekte), Randall Balsmeyer (Visuelle Effekte) |
| Animation camera: | Don Nolan (Animation der Spezialeffekte) |
| Still photography: | Christian Bongers |
| Lighting design: | Michael Palmer (Assistenz), Christopher Porter |
| Dolly grip: | Ken Davis |
| Production design: | Bob Ziembicki (Bau-Entwurf), Ted Berner |
| Set design: | Craig A. Muzio |
| Set dresser: | Kevin Hughes |
| Set design: | Dayna Lee |
| Set construction: | Arthur Allyn (Bau-Leitung), Leon Laderach (Prothesen), Elizabeth A. Beckman (Bau-Koordination), Rick Lambert (Bauleitung), Richard Alonzo (Prothesen), David DuPuis (Prothesen), Bill Holmquist (Bau-Koordination) |
| Prop master: | Suzanne LaPick (Assistenz), John C. Patton, Edie Douglass (Assistenz) |
| Construction manager: | Robert K. Feldmann, Charles Smith (2. Stab), Byron McCulloch (Assistenz) |
| Costume design: | David Powell (Indianerkostüme), Marit Allen |
| Costume maker: | Abram Waterhouse (Assistenz) |
| Costumes: | Paul A. Simmons Jr., Brigitta Bjerke, Susie Money |
| Make-up artist: | Patty York, Neal Martz, Todd Kleitsch (Assistenz) |
| Hairdresser: | Claire Corsick, Scott W. Farley |
| Editing: | Jay Rabinowitz |
| Assistant editor: | Anne O'Brien, Jennifer Apel, Tony Grocki |
| Video editing: | Eugene Gearty (Effekte-Schnitt), Magdaline Volaitis (Effekte-Schnitt) |
| Sound editor: | Danie Evans Farkas, Julie Lindner, Robert Hein |
| Foley editor: | Kam Chan, Frank Kern |
| Editing (other): | Sylvia Menno (Dialog-Schnitt) |
| Sound: | Drew Kunin |
| Sound assistant: | Mark Goodermote |
| Sound engineer: | Coll Anderson (Zusätzlicher Ton), Stacey Tanner (Zusätzlicher Ton) |
| Music recording: | John Hanlon |
| Foley artist: | Marko Costanzo, Bruce Pross |
| Audio mixing: | Dominick Tavella, Keith Culbertson Hextro |
| Consultant: | Kathy Whitman (Kulturelle Beratung), Kevin S. Cosley (Kanu-Beratung) |
| Special effects: | Lou Carlucci (Spezialeffekt-Koordination), John Carlucci |
| Music: | Neil Young |
| Music performer: | Neil Young |
| | |
| Cast: | |
| Johnny Depp | William Blake |
| Gary Farmer | Nobody |
| Lance Hendrikson | Cole Wilson |
| Michael Wincott | Conway Twill |
| Crispin Glover | Heizer |
| Robert Mitchum | John Dickinson |
| John Hurt | John Scholfield |
| Gabriel Byrne | Charlie Dickinson |
| Billy Bob Thornton | Big George Drakoulious |
| Iggy Pop | Salvatore "Sally" Jenko |
| Eugene Byrd | Johnny "The Kid" Pickett |
| Jared Harris | Benmont Tench |
| Mili Avital | Thel Russell |
| Jimmy Ray Weeks | Älterer Marshall Marvin |
| Mark Bringelson | Jüngerer Marshall Lee |
| John North | Mr. Olafsen |
| Peter Schrum | Betrunkener |
| Mike Dawson | Alter Mann mit Steckbriefen |
| Michelle Thrush | Nobodys Freundin |
| Daniel Chas Stacy | Junger Nobody |
| Thomas Bettles | Junger Nobody |
| Richard Boes | Mann mit Verstauchung |
| George Buckworth | Mann am Ende der Straße |
| Gibby Haines | Mann mit Gewehr |
| Todd Pfeiffer | Mann an der Poststation |
| Cecil Cheeka | Dorfbewohner |
| Michael McCarty | Dorfbewohner |
| Leonard Bowechop | Dorfbewohner |
| Alfred Molina | Missionar in Poststation |
| John Pattison | Mann an der Poststation |
| | |
| Production company: | 12-Gauge Productions Inc. (New York), Pandora Filmproduktion GmbH (Köln) |
| in association with: | Newmarket Capital Group, JVC - Victor Company of Japan Ltd. (Tokio), LP |
| Producer: | Demetra J. McBride |
| Co-Producer: | Karen Koch |
| Line producer: | Michael Boehme (Deutschland) |
| Unit production manager: | Beth DePatie |
| Location manager: | Martha C. Pilcher, P.J. Connolly (Assistenz), Birgit Staudt (Assistenz) |
| Production coordinator: | Jennifer Roth |
| Post-production: | Carol Abady (Post-Production-Koordination), Birgit Staudt (Post-Production-Koordination) |
| Shoot: | : Coconio National Forest (Sedona), Peaks Ranger Districts (Arizona), Nevada, Oregon |
| Distributor: | Pandora Film GmbH & Co. Filmproduktions- und Vertriebs KG (Frankfurt am Main) |
| Funding: | FFA-Referenzförderung, Film- und Medien Stiftung NRW (Düsseldorf), Filmboard Berlin-Brandenburg GmbH (Potsdam) |
| Length: | 134 min |
| Format: | 35mm, 1:1,85 |
| Picture/Sound: | s/w, Dolby Stereo |
| Screening: | TV-Erstsendung (DE): 20.02.1997, Premiere |
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