| Regie: | Wim Wenders |
| Regie-Assistenz: | Matthew Clark, Tom Snyder, C.C. Barnes |
| Script: | Catherine Jelski |
| Drehbuch: | Nicholas Klein |
| Idee: | Wim Wenders, Nicholas Klein |
| Drehbuch Sonstiges: | Marshall Plumb (script research) |
| Kamera: | Pascal Rabaud |
| Kameraführung: | Robin Brown |
| Kamera-Assistenz: | Scott Ressler, Nils Benson |
| Steadicam: | Chris Sowles, Stan McClain (Wescam Operator), Dan Kelley (Wescam Technician), Chip Matheson (Underwater Camera), Chris Squires |
| Optische Spezialeffekte: | Gary d'Amico, Philip D. Bartko, Bart Barber, Mike Wilmot, Bob Engelsiepen (Digital Effects), Toni Pace Carstensen (Digital Effects), Tom Leonard (Digital Effects), Cory Strassburger (Digital Effects), Lindsay Hill (24 Frame Playback), Kevin Jenson (24 Frame Playback), Tracy Mills (24 Frame Playback), Rob Abbey (24 Frame Playback) |
| Trick-Kamera: | Chip Matheson (Unterwasser-Kamera) |
| Standfotos: | Donata Wenders, Nadim George |
| Licht: | Cicero de Moraes |
| Kamera Sonstiges: | Robert M. Sagaser (Loader), Cynthia M. La Jeunesse (Lead Person), Robert A. Remer (Swing), Joe Monaco (Swing) |
| Bauten: | Patricia Norris |
| Ausstattung: | Leslie Morales, Keith Cox (Bauleitung) |
| Requisite: | Craig Sherman Hall, Chris Campbell (Requisiten-Bau), Robert Blau (Assistenz), Mike Landsburg (Kulissenbau), Erik Folsom (Best Boy Electric), James M. McClure (Lamp Operators), Joe Crouch (Lamp Operators), Michael Valentino (Lamp Operators), Michael Albala (Lamp Operators), Brad Reeves (Best Boy Grip), Billy Witherington (Dolly Grip), Jeff Pamula (Grip), Jim Hughes (Grip), Kosta Rigupoulos (Grip), David Diamond (Boom Operator), Donald J. Sutherland (Cableman), Jon Kazunaga (Construction Foreman), David E. Robinson (Lead Scenic), David C. Nute (Prop Makers), Mark Peterson (Prop Makers), David D. Wheeler (Prop Makers), Ron Montgomery (Prop Makers), Frank A. Oliveri (Painter), Scott G. Frantz (Painter), Bill Evens (Laborer) |
| Titel: | Jay Johnson |
| Kostüme: | Patricia Norris |
| Garderobe: | Maurizio Bizzarri, Maria Aboutiz |
| Maske: | Katharina Hirsch, Anne Sweeting (Assistenz) |
| Frisuren: | Kathleen Jean Norris, Nadia Felner (Assistenz), Edward St. George (Frisuren Andie MacDowell) |
| Schnitt: | Peter Przygodda |
| Schnitt-Assistenz: | Brian Johnson, Tia Nolan, Michael Ferdie, Javier Bennassar, Dean Howey, James A. Williams, Lisle Engle, Frederick Howard, Steve Sheridan (Timer), Walter Spencer (Dialogue Editor), Matthew Reidenbach (Sound Effects Editor), Cormac Funge (Sound Effects Editor) |
| Negativ-Schnitt: | Gary Burvitt |
| Ton-Schnitt: | Evan Daum (Assistenz), Walter Spencer (Dialoge) |
| Geräusche-Schnitt: | Tom Volckmann, David Mann, Cormac Funge (Toneffekte-Schnitt), Javier Bennassar (Toneffekte-Schnitt) |
| Ton: | Eimo Weber |
| Musik-Tonaufnahme: | Sharon Boyle |
| Geräusche: | Christopher Moriano, Catherine Harper |
| Mischung: | John Ross, Derek Marcil, Lucy Suster, Jim Stuebe, Tim Boggs (ADR Supervisor), Alan Freedman (ADR Mixer), Yuri Reese (ADR Editor), Mary Erstad (Foley Mixers), Catherine Harper (Foley Artist), Christopher Moriano (Foley Artist), David Mann (Foley Editor), Tom Volckmann (Foley Editor), Kurt Godel (Digital Transfer Engineer), Bill Smith (Re-Recording Mixer), James Wright (ADR Voice Casting, Dolby Sound Consultant) |
| Spezialeffekte: | Bart Barber, Philip D. Bartko, Gary P. D'Amico, Mike Wilmot |
| Stunt-Koordination: | Chris Howell |
| Musik: | Ry Cooder, Sharon Boyle (Music Supervisor) |
| Arrangement: | Ed Segaul |
| Musik-Ausführung: | Tom Waits, DJ Shadow, Roy Orbison, Eels, Bono, Sinead O'Connor, Howie B. (Mixing), Gil Bernal (Tenor Sax), Joachim Cooder (Drums, Percussion, Programming), Ry Cooder (Guitar), Rick Cox (Prepared Guitar, Bass Sax, Samples), Sunny D. (Programming), Mark Hunel-Adrian (Guitar), Flaco Jimenez (Accordian), Jim Keltner (Drums), Tonya Ridgely (Flute), William »Smitty« Smith (Organ), Jacky Terrasson (Piano), James "Blood" Ulmer (Guitar), Amir Yaghmai (Guitar), John Hassell (Trumpet Solos), Brad Hachnal (Engineering) |
| Musik Sonstiges: | Gerri Schwartz (Music Contractor), Ed Segaul (Music Coordinator), Andy Gershon (Music Supervision for Outpost Recording), Mark Williams (Music Supervision for Outpost Recording), Jon Sidal (Music Supervision for Outpost Recording), Eric Greenspan (Music Legal), Ira Selsky (Music Legal), Glenn Davis (Music Legal) |
| | |
| Darsteller: | |
| Bill Pullman | Michael "Mike" Max |
| Andie MacDowell | Paige Stockard |
| Gabriel Byrne | Ray Bering |
| Loren Dean | "Doc" Bloc |
| Traci Lind | Cat |
| Daniel Benzali | Brice Phelps |
| K. Todd Freeman | Six |
| John Diehl | Lowell Lewis |
| Pruitt Taylor Vince | Frank Cray |
| Peter Horton | Brian |
| Udo Kier | Zoltan Tibor |
| Enrique Castillo | Ramon Gomez |
| Nicole Parker | Ade |
| Rosalind Chao | Claire |
| Marisol Padilla Sánchez | Mathilda |
| Marshall Bell | Sheriff Call |
| Frederic Forrest | Ranger MacDermot |
| Samuel Fuller | Louis Bering |
| Chris Douridas | Techniker |
| Soledad St. Hilaire | Anita |
| Sal Lopez | Tito |
| Ulises Cuadra | Jose |
| Aymara De Llano | Florinda |
| Henry Silva | Juan Emilio |
| Andy Alvarez | Philipo |
| Karen Ross | Fluffball |
| Reg Rogers | Jack |
| Sam Phillips | Sänger |
| Michael Massee | Gast in Bar |
| O-Lan Jones | Bardame |
| Black Encyclopedia | Rapper |
| Me'Shell Ndegéocello | Malike |
| Victoria Duffy | Female Cop |
| | |
| Produktionsfirma: | Ciby Pictures Inc. (Los Angeles), Road Movies Filmproduktion GmbH (Berlin), Kintop Pictures (Los Angeles), Ciby 2000 (Paris) |
| Produzent: | Deepak Nayar, Wim Wenders, Nicholas Klein |
| Executive Producer: | Jean-François Fonlupt, Ulrich Felsberg, Rose-Marie Couture (Assistenz) |
| Supervision: | Sabrina S. Sutherland |
| Aufnahmeleitung: | Deepak Nayar |
| Produktions-Assistenz: | Jay Ostrowski, Jon Kim Nguyen, Luba Schatzberg, Alyssa Reinhardt, Art Lew, Mike Martella, Glenn Cowan (Editorial Productions Assistant), Hella Wenders (Production intern), Thomas Rajman (Production intern), Martin Schmidt (Production intern), Lars C. Steinmeyer (Production intern) |
| Produktions-Koordination: | Karen R. Sachs, Tasha Oldham |
| Post-Production: | Desmond Cannon |
| Geschäftsführung: | Cynthia Wise |
| Buchhaltung: | Wendy Renskowski Dale, Misey Eustermann, Kristi Lake, Bonnie Sills (Location Manager), Stacey Abrams (Assistant Location Manager), H. Halsey Davis II. (Assistant Location Manager), Kai-Peter Uhlig (Rechtsberatung), Desmond Cannon (Post-Productions Supervisor), Jolanda Darbyshire (Assistenz Wenders) |
| Dreharbeiten: | : Los Angeles |
| Erstverleih: | Buena Vista International (Germany) Filmproduktion GmbH (München) |
| Länge: | 146 min |
| Format: | 35mm |
| Bild/Ton: | Farbe, Dolby Stereo Digital |
| Aufführung: | Aufführung (DE): 26.10.1997, Hof, Internationale Filmtage;
Kinostart (DE): 27.11.1997 |
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