A dilapidated, practically empty apartment in the Berlin district of ′Mitte′.
This is where Nina and two young actors named Hans and Marie have
come together to leave behind the winter cold for a few days and do some
screen tests for a film. Nina is a searcher; she wants her film to make feelings
visible and intends to portray love by showing real sex.

But the more blurred the borders between fiction and reality become, the
less Nina seems inclined to make the film at all. Hans, who knows Nina from
a brief encounter a long time ago, senses that she is searching for something
else. Nonetheless, he and Marie both agree to go along with the
play-acting. So far, each is convinced that they are pulling the strings. But
Nina’s strategies of seduction weave an ever-tightening web around her
protagonists.

Nina’s credo that they should not play themselves or anyone else soon
becomes a trap for Hans and Marie. No wonder that it becomes almost
impossible to decipher where the acting ends and reality begins. The further
Nina sets off down a path to an unknown destination, the more the
actors shield themselves from each other and keep their feelings to themselves.
Their longing for the outside world is a palpable force, but each
attempt to open up to each other ends in an emotional blow below the
belt. Without a script, communication becomes balancing act; coolness
and distance would seem to be the only adequate means of protection. In
this world, failure can only lead to a bittersweet happy ending.

Source: 60. Internationale Filmfestspiele Berlin (Catalogue)