Die goldene Stadt
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Synopsis
Veit Harlan′s melodrama – which is clearly informed by Nazi ideology and its notion of an indivisible bond between blood and territory – is a cautionary tale of a peasant girl who is punished for leaving her homestead and succumbing to the lure of a sinful Slavic city: Anna, whose mother drowned herself in the swamp, lives with her father on a farm near the river Vltava. She is to marry the farmhand Thomas, but dreams about the "golden" city of Prague, the home of her deceased mother. Eventually she travels to Prague, where she is promptly seduced by her cousin Toni. Anna gets pregnant, but Toni is only interested in her inheritance and dumps Anna after her enraged father dispossesses her. Desperate and heartbroken, Anna wants to return home but is refused entrance by her father, who has found a new wife. Ultimately Anna relives her mother′s fate and commits suicide in the swamp.
Credits
| Director: | Veit Harlan |
| Screenplay: | Veit Harlan, Alfred Braun, Werner Eplinius (ungenannt) |
| Director of photography: | Bruno Mondi |
| Editing: | Friedrich Karl von Puttkamer |
| Music: | Hans-Otto Borgmann |
| Cast: | |
| Kristina Söderbaum | Anna "Anuschka" Jobst |
| Paul Klinger | Ingenieur Christian Leidwein |
| Kurt Meisel | Toni Opferkuch |
| Annie Rosar | Mutter Opferkuch |
| Rudolf Prack | Großknecht Thomas |
| Eugen Klöpfer | Vater Melchoir Jobst |
| Lieselotte Schreiner | Wirtschafterin Maruschka |
| Dagny Servaes | Frau Tandler |
| Hans Hermann Schaufuß | Ingenieur Nemerek |
| Ernst Legal | Bauer Pelikan |
| Production company: | Ufa-Filmkunst GmbH (Berlin) (Herstellungsgruppe Veit Harlan) |
All Credits
| Director: | Veit Harlan |
| Assistant director: | Wolfgang Schleif |
| Screenplay: | Veit Harlan, Alfred Braun, Werner Eplinius (ungenannt) |
| based on: | Richard Billinger (Bühnenstück "Der Gigant") |
| Director of photography: | Bruno Mondi |
| Colour consultant: | Eduard Schönicke |
| Still photography: | Otto Krahnert |
| Lighting design: | Fritz Kühne |
| Production design: | Erich Zander, Karl Machus |
| Editing: | Friedrich Karl von Puttkamer |
| Sound: | Gustav Bellers, Bruno Suckau |
| Music: | Hans-Otto Borgmann |
| Source music: | Bedřich Smetana (Oper "Die verkaufte Braut") |
| Cast: | |
| Kristina Söderbaum | Anna "Anuschka" Jobst |
| Paul Klinger | Ingenieur Christian Leidwein |
| Kurt Meisel | Toni Opferkuch |
| Annie Rosar | Mutter Opferkuch |
| Rudolf Prack | Großknecht Thomas |
| Eugen Klöpfer | Vater Melchoir Jobst |
| Lieselotte Schreiner | Wirtschafterin Maruschka |
| Dagny Servaes | Frau Tandler |
| Hans Hermann Schaufuß | Ingenieur Nemerek |
| Ernst Legal | Bauer Pelikan |
| Production company: | Ufa-Filmkunst GmbH (Berlin) (Herstellungsgruppe Veit Harlan) |
| Line producer: | Veit Harlan |
| Unit production manager: | Hans Conradi |
| Location manager: | Conny Carstennsen, Rudolf Liebermann, Friedrich Link |
| Shoot: | 25.07.1941-03.1942: Prag und Umgebung, Umgebung von Bautzen, Holsteinische Schweiz, Marsch; Ufastadt Babelsberg |
| Original distributor: | Deutsche Filmvertriebs GmbH (DFV) (Berlin) |
| Length: | 3004 m, 110 min |
| Format: | 35mm, 1:1,33 |
| Picture/Sound: | Agfacolor, Tobis-Klangfilm |
| Rating: | Zensur (DE): 07.08.1942, B.57464, Jugendverbot; Alliierte Militärzensur (DE): 06.1945, Verbot |
| Screening: | Uraufführung (IT): 03.09.1942, Venedig, IFF; Erstaufführung (DE): 24.11.1942, Berlin, Germania-Palast Frankfurter Allee; Erstaufführung (DE): 24.11.1942, Berlin, Ufa-Palast am Zoo |
Titles
| Originaltitel (DE) Die goldene Stadt |
Versions
Original | |
| Length: | 3004 m, 110 min |
| Format: | 35mm, 1:1,33 |
| Picture/Sound: | Agfacolor, Tobis-Klangfilm |
| Rating: | Zensur (DE): 07.08.1942, B.57464, Jugendverbot; Alliierte Militärzensur (DE): 06.1945, Verbot |
| Screening: | Uraufführung (IT): 03.09.1942, Venedig, IFF; Erstaufführung (DE): 24.11.1942, Berlin, Germania-Palast Frankfurter Allee; Erstaufführung (DE): 24.11.1942, Berlin, Ufa-Palast am Zoo |
Prüffassung | |
| Length: | 2855 m, 104 min |
| Format: | 35mm, 1:1,33 |
| Picture/Sound: | Agfacolor, Tobis-Klangfilm |
| Rating: | FSK-Prüfung (DE): 24.11.2003, v5191, ab 16 Jahre; FSK-Prüfung (DE): 27.09.1954, 05275, Jugendfrei ab 16 Jahre / feiertagsfrei |
Awards
| IFF Venedig 1942 |
| Preis des Präsidenten der Internationalen Filmkammer, Besondere Qualitäten als Frarbfilm |
| Coppa Volpi, Beste Darstellerin |
| 1942 |
| Prädikat: Künstlerisch besonders wertvoll |




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