Der Bagnosträfling
Twitter
FacebookCredits
| Director: | Gustav Fröhlich |
| Screenplay: | Gustav Fröhlich |
| Director of photography: | Igor Oberberg |
| Editing: | Martha Dübber |
| Music: | Werner Eisbrenner |
| Cast: | |
| Paul Dahlke | |
| Richard Häußler | |
| Käthe Dorsch | |
| Winnie Markus | |
| Udo Löptin | |
| Walter Franck | |
| Paul Hörbiger | |
| Ida Ehre | |
| Jester Naefe | |
| Albert Florath | |
| Production company: | Junge Film-Union Rolf Meyer (Hamburg) |
| Producer: | Rolf Meyer (Gesamtleitung) |
All Credits
| Director: | Gustav Fröhlich |
| Assistant director: | Hans Wollinger |
| Screenplay: | Gustav Fröhlich |
| Director of photography: | Igor Oberberg |
| Still photography: | Richard Wesel |
| Production design: | Franz Schroedter, Theo Zwierski (Assistenz) |
| Painter: | Heinrich Beisenherz |
| Prop master: | Karl-Heinz Suhr, Erich Stroczyk |
| Costume design: | Margot Ütvar |
| Costumes: | Margarete Markwordt, Willi Brückner |
| Make-up artist: | Walter Wegener, Carl Eduard Schulz, Ellen Schulz |
| Editing: | Martha Dübber |
| Sound: | Martin Müller |
| Music: | Werner Eisbrenner |
| Cast: | |
| Paul Dahlke | |
| Richard Häußler | |
| Käthe Dorsch | |
| Winnie Markus | |
| Udo Löptin | |
| Walter Franck | |
| Paul Hörbiger | |
| Ida Ehre | |
| Jester Naefe | |
| Albert Florath | |
| Production company: | Junge Film-Union Rolf Meyer (Hamburg) |
| Producer: | Rolf Meyer (Gesamtleitung) |
| Unit production manager: | Helmut Vollmer |
| Location manager: | Herbert Junghanns, Willi Rother |
| Length: | 2721 m, 99 min |
| Format: | 35mm, 1:1,37 |
| Picture/Sound: | s/w, Ton |
| Rating: | FSK-Prüfung (DE): 14.09.1949, ab 12 Jahre / feiertagsfrei |
| Screening: | Erstaufführung (DE): 05.02.1950, Berlin/West |
Titles
| Originaltitel (DE) Der Bagnosträfling |
Versions
Original | |
| Length: | 2721 m, 99 min |
| Format: | 35mm, 1:1,37 |
| Picture/Sound: | s/w, Ton |
| Rating: | FSK-Prüfung (DE): 14.09.1949, ab 12 Jahre / feiertagsfrei |
| Screening: | Erstaufführung (DE): 05.02.1950, Berlin/West |
Comments