Alles hört auf mein Kommando
Quelle: Murnau-Stiftung, DIF
Gallery
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Synopsis
Pauline Neuber is the managing director of the "Olympia" theatre for more than 50 years but recently her business is running slow. It seems as if nobody is pleased with her work anymore. Audiences and critics alike object to the plays she puts on and the shareholders of the theatre want to sell their shares. In short: the "Olympia" faces ruin. Then, Pauline′s grand son Erich, whom she has always underestimated, falls in love with Hella Bergson. But Erich does not know that she is the daughter of theatre critic Peter Bergson. Erich plays some melodies from his first self composed operetta to an enthusiastic Hella who in turn persuades him to stage his operetta at the "Olympia". During rehearsals Hella and Erich start a fight over a silly misunderstanding. Erich is only thinking about finishing his play, and gruffly rejects Hell′’s attempt to reconcile. But shortly before their love comes to an end, grandmother Pauline finally intervenes. She already has a plan how to reunite the two lovers.
Credits
| Director: | Georg Zoch |
| Screenplay: | Walter F. Fichelscher, Georg Zoch |
| Director of photography: | Ewald Daub |
| Editing: | Lothar Buhle |
| Music: | Walter Meißner |
| Cast: | |
| Marianne Hoppe | Hella Bergson |
| Wolfgang Liebeneiner | Erich Neuber |
| Adele Sandrock | Theaterdirektorin Pauline Neuber |
| Georg Alexander | Zeitungsverleger Peter Bergson |
| Hedda Björnson | Betty Tompson |
| Henry Lorenzen | Bobby Merker |
| Aulikki Rautavaara | Liane Lenz |
| Otto Albrecht | Georg Horst |
| Gertrud Wolle | Frau Piesemeier |
| Wilhelm Bendow | Herr Balke |
| Production company: | ABC-Film GmbH (Berlin) |
| Producer: | Walter von Ercert, Kurt Peters |
All Credits
| Director: | Georg Zoch |
| Screenplay: | Walter F. Fichelscher, Georg Zoch |
| Story: | Ernst Degener |
| Director of photography: | Ewald Daub |
| Production design: | Gustav A. Knauer, Alexander Mügge |
| Editing: | Lothar Buhle |
| Sound: | Martin Müller |
| Choreographer: | Heinz Lingen |
| Music: | Walter Meißner |
| Conductor: | Otto Dobrindt |
| Cast: | |
| Marianne Hoppe | Hella Bergson |
| Wolfgang Liebeneiner | Erich Neuber |
| Adele Sandrock | Theaterdirektorin Pauline Neuber |
| Georg Alexander | Zeitungsverleger Peter Bergson |
| Hedda Björnson | Betty Tompson |
| Henry Lorenzen | Bobby Merker |
| Aulikki Rautavaara | Liane Lenz |
| Otto Albrecht | Georg Horst |
| Gertrud Wolle | Frau Piesemeier |
| Wilhelm Bendow | Herr Balke |
| Production company: | ABC-Film GmbH (Berlin) |
| Producer: | Walter von Ercert, Kurt Peters |
| Unit production manager: | Martin Pichert |
| Location manager: | Heinz Landsmann, Heinz Sander |
| Shoot: | 10.1934-11.1934: |
| Original distributor: | Märkische Film GmbH (Leipzig + Frankfurt am Main), Panorama Film GmbH (Berlin), Wilhelm Schneider Filmvertrieb GmbH (Düsseldorf) |
| Length: | 8 Akte, 2423 m, 88 min |
| Format: | 35mm, 1:1,37 |
| Picture/Sound: | s/w, Tobis-Klangfilm |
| Rating: | FSK-Prüfung (DE): 04.02.1965, 33431, ab 6 Jahre / nicht feiertagsfrei [2. FSK-Prüfung]; FSK-Prüfung (DE): 21.08.1964, B 331, ab 6 Jahre / nicht feiertagsfrei; Zensur (DE): 17.12.1934, B.38118, Jugendfrei |
| Screening: | Uraufführung (DE): 08.01.1935, Berlin, Atrium |
Titles
| Originaltitel (DE) Alles hört auf mein Kommando |
| Arbeitstitel Drei rote Rosen |
| Arbeitstitel Im Rosengarten von Sanssouci |
Versions
Original | |
| Length: | 8 Akte, 2423 m, 88 min |
| Format: | 35mm, 1:1,37 |
| Picture/Sound: | s/w, Tobis-Klangfilm |
| Rating: | FSK-Prüfung (DE): 04.02.1965, 33431, ab 6 Jahre / nicht feiertagsfrei [2. FSK-Prüfung]; FSK-Prüfung (DE): 21.08.1964, B 331, ab 6 Jahre / nicht feiertagsfrei; Zensur (DE): 17.12.1934, B.38118, Jugendfrei |
| Screening: | Uraufführung (DE): 08.01.1935, Berlin, Atrium |



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